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The Imagination: its Functions and its Culture (MacDonald, 1867, 1883)

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GeorgeMacDonald.jpg
George MacDonald (1824-1905)

An essay by the author of At the Back of the North Wind, in the book The Imagination, and other essays, by George MacDonald
 
From the Introduction:
 
I was first induced to read George MacDonald by the late Rev. Dr. Gannett, who said that he had found more in him and got more from him than in or from any author whose name belonged to the current literature of the day... I can cordially second the testimony of my venerable friend... MacDonald is a class by himself... He is best known by his novels... MacDonald clenches the heart and soul of his reader with an iron grasp... He looks directly and always into the soul of things... His words have a transparency... One looks through them, instead of seeing things by means of them... What has been said may in a good measure describe the book now offered to the American public. Its subjects are various, and they show the several aspects of the author's genius. -A.P. Peabody, Cambridge, March 9, 1883
 
JLJ - George MacDonald (1824-1905) was a master storyteller, theologian, an inspiration to Irish-born British author C.S. Lewis, and here we get a glimpse of the philosophy that drove this innovative, creative individual. In fact, Lewis's interest in the works of George MacDonald was a part of what turned him from atheism. I have not discovered anyone with the literary imagination equal to George MacDonald.
  That being said, in this work MacDonald preaches to you in Victorian English that might sound passable when delivered from a pulpit, but can be hard to understand when read from a book. MacDonald asks himself, then answers questions, when not rambling on and on and delivering such whoppers as 'A gathered mountain of misplaced worships would be swept into the sea by the study of one good book".  MacDonald seems to be swept away by his own unending ideas about life, the universe, and everything. When not quoting from Shakespeare, or the bible, or preaching, MacDonald gets in a few comments about the imagination that are worth reading.

[The Imagination: its Functions and its Culture, p.1-42]
 
p.2 To inquire into what God has made is the main function of the imagination. It is aroused by facts, is nourished by facts, seeks for higher and yet higher laws in those facts; but refuses to regard science as the sole interpreter of nature, or the laws of science as the only region of discovery.
 
p.2 The word itself [imagination] means an imaging or a making of likenesses. The imagination is that faculty which gives form to thought - not necessarily uttered form, but form capable of being uttered in shape or sound, or in any mode upon which the senses can lay hold. It is, therefore, that faculty in man which is likest to the prime operation of the power of God, and has, therefore, been called the creative faculty, and its exercise creation.
 
p.5 For what are the forms by means of which a man may reveal his thoughts? ... The man has but to light the lamp within the form: his imagination is the light, it is not the form. Straightway the shining thought makes the form visible, and becomes itself visible through the form.
 
p.6-7 the human imagination... does put thought into form... we must expect to find it operative in every sphere of human activity. Such is, indeed, the fact, and that to a far greater extent than is commonly supposed.
 
p.11 There were no imagination without intellect... in finding out the works of God [JLJ - the main function of the imagination in MacDonald's philosophy, from page 2], the Intellect must labour, workman-like, under the direction of the architect, Imagination. [JLJ - perhaps this implies that our search efforts in problem solving are steered by our imagination. For a machine playing a game, we would need to find an equivalent for imagination. ]
 
p.12 "But the facts of Nature are to be discovered only by observation and experiment." True. But how does the man of science come to think of his experiments? Does observation reach to the non-present, the possible, the yet unconceived? ... will observation reveal to you the experiments which might be made?
 
p.12 It is the far-seeing imagination which beholds what might be a form of things, and says to the intellect: "Try whether that may not be the form of these things;" which beholds or invents a harmonious relation of parts and operations, and sends the intellect to find out whether that be not the harmonious relation of them - that is, the law of the phenomenon it contemplates.
 
p.13 Lord Bacon tells us that a prudent question is the half of knowledge [JLJ - the actual quote from Bacon: "A prudent question is one-half of wisdom." ]. Whence comes this prudent question? we repeat. And we answer, From the imagination. It is the imagination that suggests in what direction to make the new inquiry - which, should it cast no immediate light on the answer sought, can yet hardly fail to be a step towards final discovery... Every experiment has its origin in hypothesis; without the scaffolding of hypothesis, the house of science could never arise. And the construction of any hypothesis whatever is the work of the imagination. The man who cannot invent will never discover. The imagination often gets a glimpse of the law itself long before it is or can be ascertained to be a law.
 
p.14 The region belonging to the pure intellect is straitened: the imagination labours to extend its territories, to give it room. She sweeps across the boarders, searching out new lands into which she may guide her plodding brother. The imagination is the light which redeems from the darkness for the eyes of the understanding. Novalis says, "The imagination is the stuff of the intellect" -affords, that is, the material upon which the intellect works.
 
p.15 Coleridge says that no one but a poet will make any further great discoveries in mathematics; and Bacon says that "wonder," that faculty of the mind especially attendant on the child-like imagination, "is the seed of knowledge."  The influence of the poetic upon the scientific imagination is, for instance, especially present in the construction of an invisible whole from the hints afforded by a visible part; where the needs of the part, its uselessness, its broken relations, are the only guides to a multiplex harmony, completeness, and end, which is the whole.
 
p.16 to perceive the vital motions... to construct from a succession of broken indications a whole accordant with human nature; to approach a scheme of the forces at work... to illuminate all... this is the province of the imagination.
 
p.17 It is the forces at work in time that produce all the changes; and they are history.
 
p.26 It is more imagination we need.
 
p.28 Indeed it [imagination] must, in most things, work after some fashion, filling the gaps after some possible plan, before action can even begin.
 
p.28 In very truth, a wise imagination... is the best guide that man or woman can have; for it is not the things we see the most clearly that influence us the most powerfully; undefined, yet vivid visions of something beyond, something which eye has not seen nor ear heard, have far more influence than any logical sequences whereby the same things may be demonstrated to the intellect. It is the nature of the thing, not the clearness of its outline, that determines its operation.
 
p.30 Seek not that your sons and daughters should not see visions, should not dream dreams; seek that they should see true visions, that they should dream noble dreams. Such out-going of the imagination is one with aspiration
 
p.36 But if we speak of direct means for the culture of the imagination, the whole is comprised in two words - food and exercise... Feed your imagination with food convenient for it, and exercise it, not in the contortions of the acrobat, but in the movements of the gymnast.
 
p.37-38 the best beginning, especially if the child be young, is an acquaintance with nature... where this association with nature is but occasionally possible, recourse must be had to literature... the best must be set before the learner... the finest products of the imagination are of the best nourishment for the beginnings of that imagination... the teacher... must seek to show excellence rather than talk about it, giving the thing itself, that it may grow into the mind, and not a eulogy of his own upon the thing
 
p.40 Speaking of true learning, Lord Bacon says: "It taketh away vain admiration of anything, which is the root of all weakness."
 
[A Sketch of Individual Development, 1880, p.43-76]
 
p.43-44 with regard to our past as well as our future, imagination and faith must step into the place vacated of knowledge... Looking back we can but dream, looking forward we lose ourselves in speculation; but we may both speculate and dream, for all speculation is not false, and all dreaming is not of the unreal.
 
[The History and Heroes of Medicine, p.236-244]
 
p.243 The need of man, in physics as well as in higher things, is the guide to truth.

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